“The Belly of Paris” is Émile Zola’s third novel in the Rougon-Macquart cycle, published in 1873. Zola’s plan was to show, across the series of novels, how heredity and the surrounding environment affected members of one family during the years of the Second Empire—the period of Napoleon III’s dictatorship. The Paris Central Market. A huge, fantastic, luxurious kingdom of gluttony. Here quick-witted beauties of the fishmongers rule and compete, little urchins grow up and their giggling girlfriends, fortunes are made and crushed, and gossip is both spread and savored with relish; politics is debated in taverns. It is here that a young revolutionary Florent—an escaped convict who fled from hard labor and got lost in the endless labyrinth of Paris streets—tries to hide from the police. Once he was a school teacher. In 1851, during the unrest that accompanied the state coup on December 2, he was mistakenly taken for an opponent of the new regime and sentenced. But will “The Belly of Paris” shelter him?