The fate of the novel’s main heroine is, in a sense, an ironic paraphrase of the theme from the folk film “Moscow Doesn’t Believe in Tears.” A quiet tenant, Antonina, is seduced by a stylish young man from St. Petersburg. She bears him a daughter and soon dies, entrusting the girl to three “former” old ladies from St. Petersburg—neighbors in a communal apartment: Ariadna, Glyceria, and Evdokia. And it is about them, about “that” life—fragile, gone, yet surprisingly real—that the story is told by the grown daughter of the heroine, a painter…
Elena Chizhova is a lifelong Petersburg native and author of five novels.
The Petersburg theme is a constant in her prose, shaping both the psychology and the characters of her heroes—more precisely, of her heroines, because Chizhova clearly favors women’s characters and women’s fates. Two of her novels—“Lavra” and “The Criminal Woman”—made it into the shortlist of the “Russian Booker” prize; the last one, “Time of Women,” received this prestigious award.