Yevgeny Yevtushenko tells the story of how Dmitri Shostakovich’s Thirteenth Symphony was created—a work that rightfully belongs among the great masterpieces of the 20th century—as well as the story of his poem “Babi Yar,” published in “Literary Gazette” in 1961 and instantly becoming an event.
Shostakovich’s music and Yevtushenko’s verses spoke about the tragedy that happened in 1941 and created “the first sounding monument to Babi Yar.”
“This symphony, at the wave of the conductor’s baton, could easily turn the concert hall into Golgotha, then into a prison cell where Dreyfus languishes, then into a street in Białystok where white feathers of a pogrom float above, then into Anna Frank’s little room, then into a fairground burlesque with clownish pipes, then into the dark vaults under which a trial of Galileo takes place, then into a Moscow shop where half-phantom women quietly move. The whole concert hall rose up when, sideways between the musicians, as they hammered their bows on the stands, there pressed in—a man clenching his own hands, tightly, with a slightly comical rooster crest, with crookedly sitting glasses—Shostakovich.”