The Spy from Calcutta
39 hrs. 2 min.
Language
Russian
Author
Chen Master
Author
Chen Master
Narrator
Tatyana Nenarokomova
Narrator
Maria Abalkina
Description
1. Amalia and the White Vision
Master Chen’s new novel is a new surprise for his fans. Yes, the book’s events also take place in Asia. And it’s still a spy detective story—but no longer medieval, rather colonial.
Imagine—British Malaya, the “Age of Jazz,” specifically 1929. At this crossroads of civilizations—an Asian world of rickshaws, secrets of Chinese triads, silver chariots of Indian gods, and a Western world with Portuguese sailing ships, British tennis courts, and “whites only” hotels—mysterious events unfold.
A series of brutal murders is carried out with chopsticks.
Amalia de Souza, a young Portuguese woman generously mixed with Malay and Siamese blood, begins a self-directed investigation. And now the killers seriously try to take her life…
By the way, who is Amalia—also a mystery. But certainly not the modest Elizé cabaret administrator she pretends to be.
2. Amalia and the Generalissimo
Amalia de Souza, the heroine of Master Chen’s previous novel, the “Calcutta Spy” project—“Amalia and the White Vision”—first thought that finding the agent of the Chinese government Chan Kai-shi, hiding in Kuala Lumpur (British Malaya, 1931), would be easy and relatively safe. After all, she didn’t really want to take on the case…
At the beginning of this book, Amalia is completely different from the one in the previous novel. She’s sad and doesn’t know where that very Calcutta spy has gone—or what to do with her own life. But a character named Tony, silent in the first book, turns out to be quite capable of talking—and of helping with investigations of such cases where the stakes are the fates of entire states and empires. And Amalia’s life, once again, regains its taste, sound, and color.
3. Amalia and the Golden Age
Two spies are sent to Manila, the capital of the future independent Philippines—and they aren’t given assignments: the connection is cut. The only information both agents have is about some new policy from Tokyo toward this American colony that is about to gain independence. British intelligence agents don’t know that this “new policy” will literally lead, just a few years from now, to a major war; for now they’re only saying goodbye to 1935 and stepping into 1936, thinking that a lot depends on them.
Master Chen’s new novel is a new surprise for his fans. Yes, the book’s events also take place in Asia. And it’s still a spy detective story—but no longer medieval, rather colonial.
Imagine—British Malaya, the “Age of Jazz,” specifically 1929. At this crossroads of civilizations—an Asian world of rickshaws, secrets of Chinese triads, silver chariots of Indian gods, and a Western world with Portuguese sailing ships, British tennis courts, and “whites only” hotels—mysterious events unfold.
A series of brutal murders is carried out with chopsticks.
Amalia de Souza, a young Portuguese woman generously mixed with Malay and Siamese blood, begins a self-directed investigation. And now the killers seriously try to take her life…
By the way, who is Amalia—also a mystery. But certainly not the modest Elizé cabaret administrator she pretends to be.
2. Amalia and the Generalissimo
Amalia de Souza, the heroine of Master Chen’s previous novel, the “Calcutta Spy” project—“Amalia and the White Vision”—first thought that finding the agent of the Chinese government Chan Kai-shi, hiding in Kuala Lumpur (British Malaya, 1931), would be easy and relatively safe. After all, she didn’t really want to take on the case…
At the beginning of this book, Amalia is completely different from the one in the previous novel. She’s sad and doesn’t know where that very Calcutta spy has gone—or what to do with her own life. But a character named Tony, silent in the first book, turns out to be quite capable of talking—and of helping with investigations of such cases where the stakes are the fates of entire states and empires. And Amalia’s life, once again, regains its taste, sound, and color.
3. Amalia and the Golden Age
Two spies are sent to Manila, the capital of the future independent Philippines—and they aren’t given assignments: the connection is cut. The only information both agents have is about some new policy from Tokyo toward this American colony that is about to gain independence. British intelligence agents don’t know that this “new policy” will literally lead, just a few years from now, to a major war; for now they’re only saying goodbye to 1935 and stepping into 1936, thinking that a lot depends on them.
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