Discover the unusual lessons of the great Soviet film director Михаил Ромм—his view of cinema and directorial craft unfolds through a lively conversation and thoughtful reflection on the nature of creativity.
Михаил Ильич Ромм (1901–1971) was an outstanding Soviet film director, screenwriter, professor at ВГИК, and a public figure.
This book is a genuine, richly textured dialogue between the master and his students, in which the profession’s most subtle facets are revealed. Ромм does not confine himself to a set of rules: he thinks aloud, enters into debate with the classics (Пушкин, Толstoy, Чехов), looks at episodes of «Война и мир» as ready-made directorial drafts, teaches how to find монтажную logic in literature, and how to turn any text into cinematic action.
At the center is not technique for technique’s sake, but thinking as the foundation of the profession: how to formulate an idea and convey it to the actor, how to ensure that every shot works toward meaning. Ромм insists that a true director first of all understands life, knows how to observe, reads a great deal, and studies the time period he is describing.
The book includes not only lectures, but also conversations with colleagues (including with Сергей Герасимов), reflections on what a directing textbook might have looked like, candid talks about his own films, and admissions about the difficulties of his creative journey. The recurring idea is simple and demanding: cinema is the development of thought through image, and only a spectacle filled with meaning becomes art.
The book will be of interest to students of film schools, directors, screenwriters, actors—and to everyone who wants to understand how truly strong cinema comes into being. This is not a textbook in the usual format, but a master class by one of the greatest minds of Soviet cinema—one that sounds modern, and remains relevant today.