The novel “The Heirs of Alberta” is one of the author’s last works. It is written in a strictly traditional vein.
In true canon spirit, the plot collision is chosen: a wealthy old lady dies under strange circumstances. Since all the heirs are people who need money, it’s natural to assume she died a violent death. The book has a clearly limited circle of characters, and just as clearly among them stand out those who become suspects (the deceased’s relatives)—all of that is an obligatory attribute of the traditional detective.
The situation is complicated by the unexpected appearance of yet another heir—perhaps even the most legitimate one. In short, a tense intrigue is carried out in the best traditions.