The parable “Rabbits and Boas” was, like most of Iskander’s “Soviet-era” masterpieces, written “away in a drawer.” It was first published abroad, and only in 1986 did it appear for Russian readers—causing a scandal comparable only to the lifetime publications of Saltykov-Shchedrin’s biting fairy tales. What is the power of the mighty boas over naive, simple-minded rabbits based on? Fear—dazzling, irrational, paralyzing terror. What is the idea of the fiercely brave rabbit—trying to throw off this bloodthirsty power—based on? On the simple denial of fear: what can you frighten those who, in principle, have nothing to lose with? But why are the rabbits even more dissatisfied with such a revolutionary idea than their crawling masters and executioners? Perhaps because they, too—accustomed to living in “small, but charming injustice” of theft and bribery—fear a change of power far more than the possibility of being eaten.