Can a murder be beautiful? Must it be beautiful! Otherwise, how is the true aesthetic of Death different from an ordinary maniac? New Orleans, the city capital of the “children of death,” is the most fitting stage for two actors who have arranged a bloody and stylish drama in the sets of the French Quarter—whose “stars,” unfortunately, learn about their role in what’s happening too late.
The novel contains four plot lines that ultimately intertwine into one. However, the description of Andrew Compton’s line is from the first person, while the other three are from the third.