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Duo. The Shackle

Duo. The Shackle

7 hrs. 17 min.
Description
Sidonie-Gabrielle Colette (1873–1954) is a classic of 20th-century French literature. Her works have been read—and are read—throughout the world; her novels have been translated into all the languages of the world. Colette’s creative range is astonishingly diverse: exquisite miniaturist novellas and psychological novels, philosophical diaries and poetic works, plays, librettos, and screenplays… But the essential thing for this writer is an undeniable gift—brilliant plots and a woman’s love.

In the 1930s she continues working in the style of psychological prose, writing the duology “Duo” (1934) and “The Niche” (1939). In these books—connected in no way by obligation with her autobiography—the complex problems of family and romantic relationships are explored again. Relationships that sometimes carry danger, as happened in the family of Michel and Alice (in the novel “Duo”): later, after ten years of joyful family life, Michel, having found a letter from her lover, flares up with unbearable jealousy. Alice, meanwhile, continues to love her husband openly; her betrayal was accidental—she easily succumbed once to her former weakness as a woman. Yet Michel clearly realizes that in his life there is nothing besides his love for Alice—that this love is what gives meaning to his existence. And once, as he thinks, she stopped loving him, he cannot—more than that—he cannot go on living.
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The writer is by no means new to analyzing jealousy. She had known it well long before, back when she was the wife of Willy—and later of Baron de Jouvenel, men inclined to polygamy and lacking solid moral principles. She shows how destructive this terrible, overpowering feeling can be. And if in the novel “The Second” the heroine defeats it, overcomes jealousy, then here the opposite happens: a decent, excellent person dies because of it. This is a novel—not at all in defense of jealousy.
In the second part of the duology—“The Niche”—a widowed Alice, searching for comfort after her husband’s death, returns to her sisters in their home, where she spent childhood and youth with them. The four sisters’ personal lives did not turn out very well. Each has her own troubles. They have a hard time in this uncomfortable, cold, unfriendly world. What warms them is only their love for one another—the warmth of “the niche.” Only love, mutual understanding, and affection among close people can become a unique “oasis,” an island of salvation in the harsh, heartless reality. Colette correctly sensed this longing for a human enclave, which would become one of the leading trends in 20th-century literature.
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