The best way to get to know your coworkers is to stage one play together. By the order of the boss, employees of a furniture company put on their own version of “Woe from Wit.” A director is invited—Vladimir Vilenyin, an actor from a provincial theater—who spent his whole life unsuccessfully waiting for the chance to get the main role in the most classic play. Taking control of the production, and finding himself face to face with a corporate world completely unfamiliar to him, he “takes the wheel” of his own life. He stops drifting with the current and achieves what he no longer dared to dream of. All it really took was to stop waiting for the mythical “good uncle” and become that “uncle” himself—first for others, weaker than him. And then, for himself.
Life choice, moral values, a theatrical romance.